'We Were the Pioneers of Punk': The Women Reshaping Grassroots Music Culture Around the United Kingdom.
When asked about the most punk thing she's ever done, Cathy Loughead responds instantly: “I took the stage with my neck fractured in two spots. I couldn't jump around, so I bedazzled the brace instead. It was a fantastic gig.”
Cathy is a member of a growing wave of women transforming punk music. As a new television drama focusing on female punk airs this Sunday, it reflects a phenomenon already blossoming well outside the TV.
Igniting the Flame in Leicester
This energy is most palpable in Leicester, where a recent initiative – presently named the Riotous Collective – lit the fuse. Loughead was there from the outset.
“When we started, there were no all-women garage punk bands here. In just twelve months, there were seven. Currently, twenty exist – and counting,” she remarked. “Collective branches operate across the UK and worldwide, from Finland to Australia, recording, playing shows, featured in festival lineups.”
This explosion isn't limited to Leicester. Around the United Kingdom, women are repossessing punk – and altering the landscape of live music along the way.
Breathing Life into Venues
“Numerous music spots around the United Kingdom doing well thanks to women punk bands,” noted Cathy. “So are rehearsal studios, music education and guidance, recording facilities. This is because women are occupying these positions now.”
Additionally, they are altering the crowd demographics. “Women-led bands are gigging regularly. They attract more diverse audiences – people who view these spaces as safe, as belonging to them,” she remarked.
An Uprising-Inspired Wave
Carol Reid, from a music youth organization, said the rise is no surprise. “Females have been promised a ideal of fairness. But gender-based violence is at alarming rates, radical factions are exploiting females to promote bigotry, and we're deceived over topics such as menopause. Females are pushing back – through music.”
Another industry voice, from the Music Venue Trust, notes the phenomenon altering regional performance cultures. “We're seeing more diverse punk scenes and they're contributing to community music networks, with independent spaces scheduling diverse lineups and establishing protected, more welcoming spaces.”
Entering the Mainstream
Soon, Leicester will present the debut Riot Fest, a multi-day celebration including 25 female-only groups from the UK and Europe. In September, a London festival in London honored ethnic minority punk musicians.
The phenomenon is edging into the mainstream. One prominent duo are on their debut nationwide tour. A fresh act's debut album, Who Let the Dogs Out, charted at sixteenth place in the UK charts recently.
One group were in the running for the an upcoming music award. Another act won the Northern Ireland Music Prize in last year. A band from Hull Wench played the BBC Introducing stage at Reading Festival.
This is a wave rooted in resistance. Within a sector still affected by gender discrimination – where all-women acts remain underrepresented and music spots are closing at crisis levels – women-led punk groups are creating something radical: a platform.
Ageless Rebellion
In her late seventies, one participant is testament that punk has no expiration date. The Oxford-based washboard player in her band started playing just a year ago.
“Now I'm old, all constraints are gone and I can do what I like,” she said. A track she recently wrote contains the lines: “So shout out, ‘Forget it’/ This is my moment!/ I own the stage!/ I'm 79 / And in my top form.”
“I love this surge of older female punks,” she remarked. “I didn't get to rebel in my youth, so I'm making up for it now. It's fantastic.”
Another musician from the band also noted she couldn't to rebel as a teenager. “It's been really major to finally express myself at my current age.”
A performer, who has toured globally with multiple groups, also sees it as catharsis. “It involves expelling anger: feeling unseen in motherhood, as an older woman.”
The Power of Release
Comparable emotions inspired Dina Gajjar to form Burnt Sugar. “Performing live is an outlet you never realized you required. Girls are taught to be obedient. Punk rejects that. It's noisy, it's imperfect. It means, during difficult times, I consider: ‘I'll write a song about that!’”
However, Abi Masih, a band member, stated the female punk is any woman: “We are typical, working, amazing ladies who enjoy subverting stereotypes,” she commented.
Maura Bite, of the act She-Bite, agreed. “Women were the original punks. We had to smash things up to get noticed. This persists today! That rebellious spirit is in us – it appears primal, elemental. We are incredible!” she declared.
Challenging Expectations
Not all groups conform to expectations. Two musicians, from a particular group, try to keep things unexpected.
“We avoid discussing the menopause or curse frequently,” noted Julie. The other interjected: “Well, we do have a small rebellious part in all our music.” She smiled: “That's true. Yet, we aim for diversity. The latest piece was regarding bra discomfort.”